My work explores the relationship between the universality of myth and recycling culture. With influences as diverse as Blake and Joni Mitchell, new variations are created from both orderly and random structures. Ever since I was a postgraduate I have been fascinated by the theoretical limits of meaning. What starts out as triumph soon becomes corrupted into a dialectic of power, leaving only a sense of nihilism and the dawn of a new reality. As shifting derivatives become frozen through emergent and personal practice, the viewer is left with a testament to the darkness of our condition.